I had to work at
Art After Dark that night and so I didn’t think much about murdering the spider
until later. I was a ‘ticket scanner’ at the National Gallery. When I had first
gotten the job – the outgoing ticket scanner was a friend of mine whose glasses
were especially thick and whose R.M Williams boots were at least third or
fourth-hand, who painted large pictures of pool tables and sold them to regional
hospitals and nursing homes – I had imagined a utopian combination of work and
pleasure. But a month or so in, after watching a documentary about construction
workers in a spectacular area of the Bolivian Andes I realised that, like
theirs, my job was just a job and that I could just as well have been scanning
tickets for illegal cockfights or dinner theatre shows. I also realised I
didn’t like my coworkers very much because they didn’t see it like that, or
pretended they didn’t.
On the other hand,
I guess there was a certain valour in working a mundane job at a place
everybody else considered an escape from the mundane. Most people worked jobs that
weren’t supposed to be anything but a
means of paying the bills, which were therefore diametrically opposed to
whatever they did for fun. Everything was made ‘funner’ by comparison. For my
part, I could easily have come to resent my passion for painting because I
disliked the crappy job that that passion had afforded me. But I didn’t. I didn’t because I had accepted that
art was a pauper’s enterprise and I was more prepared to scan a million tickets
to the Napoleon Exhibition than to start painting pictures of pool tables or
men standing around on a golfing green, waiting for the last man to putt in. It
was that artistic integrity that I felt had been queried by Kiera’s dad and his
stupid Pirate of Penzance comment.
When I came home I
was tired and a little bummed out. So that I could go straight to bed, I
immediately brushed my teeth, washed my face, and pissed. I also sprayed the
antibacterial spray onto the eyebrow ring I had gotten a few days earlier. Then
I entered my bedroom and saw that Kiera had left a chocolate muffin on the
little antique sideboard next to
my bed. She’d moved some books to one side and put the muffin on the other
side. The muffin was huge and had orange rind on top and it was in my favourite
bowl, an old Rice Bubbles one with pictures of Snap, Crackle and Pop in their
American clothes, which my grandma had given me when I was little.
I ate the muffin
with a heavy heart. Kiera and I had lived together for six months by then and
the best way of measuring how comfortable she was with someone seemed to be
through the kindness, devoid of ulterior motives, that coloured the stuff she
said and did. That was how I knew she liked me, maybe even loved me. I had
never known a better or more beautiful person, let alone imagined, in my wildest
dreams, that I would be on the receiving end of their goodness. It was also how
I knew that she could never be mine and why I almost wished she would suddenly
become indifferent to me. I took the bowl upstairs and washed it; the microwave
clock read 02:17. The apartment was quiet except for the fridge and for me. The
first thing I noticed upon reentering my bedroom was the can of water-proofer
on the windowsill, as if it hadn’t been there before. At the sight of it I
froze. I turned to the mirror on my wardrobe and saw that I looked wrung out
and terrified. I sat down on my bed feebly and started to think about what I
had done.
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