If no woman is as precious
as the suffering she accords
because suffering – unlike love – speaks the Word,
then the Martinville steeples,
formed and reformed anew
by space and the eyes are sanctified –
perhaps even built – by the poetry
composed in their name, as well as the longing
felt for tears and death as the curtain
of night recalls them – to
the self whose imagination
and intellect are at war,
that first echoed roar of an aeroplane
offers little enticement to lift
one’s head except to confer
the tranquil sadness from which
masterpieces – the brainchildren
of darkness and silence – are stirred, and without
which the pacifying calm
of remission goes begging – all the
fallacious pledges to kindness,
to knowledge, good faith
when fidelity begins and ends with suffering –
lost in an abyss of moustache wax
and pantomime and the rain
falling so ferociously on
the Champs-Élysées, a man
must elevate
himself to know himself –
and must
therefore populate
his inkwell and
his palette with hurt.
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