your fingers open
like petals, or a single petal flayed
it’s a mass
transit greenhouse
it’s the hottest
summer on record
you’re the most
foreign flower native to Australia –
milkshake seat
patterns – topographic
fishtails of
desert tracts
of slate
escarpments
thumbnails of
pudgy mountain range
you puff up the
dust to pitch into, you fart soundlessly into
playing eyes
playing with the
eyes
of some ravishing
tourists who speak gruff Quebec French
and unfold and
unfold a map, hand of a different girl
at every dog-eared
corner
ease their cotton
shoulders
from the straps on
their bulging Quechua backpacks –
read the map and
the Reflections of Herman Hesse
and L'Avalée des avalés
do you think they think conterminously
of swallowing you? fucking you? watering/their waters breaking with you?
toes squinted
closed like eagle beaks, mongoose claws
you note that of
all passengers
you are both the
calmest
and the most
unhinged – it gnaws at you, that weird dialectic
all you get is
calmer – South Melbourne corrugated iron
ribbed like the
roof of a mouth
so far from the
Fitzroy seabeds
so far from all
that warms you, so far from warming notions
you’re cold you
can’t feel yourself – think of the bay winds
baying and be
present
think of sand in groinal
clefts
think of sand
grabbed in slants to punish, of sea spray sandy
like half mixed
dough – think of green water, vast bays of ill faces –
all the rockslides
happening
all the Kevlar
braiding happening
all the kitten
drowning happening
all the gold
mining happening
all the doilies
being ripped
from ‘Awesome
Orange’ jam –
all the movies
being ripped from DVD
all the absenteeism
at Movieland
all the intellect
conventions
matinees in
far-off time zones
all the chicken salt
eaux de parfum
wafting through
KFC air vents
and in variety
buckets through homes –
all the master
signifiers, nervous tics round nervous animal eyes
happening.
·
six stops until
the end of the line – you’ve only just passed Langridge
and yet you feel
the line has ended, that it ended while you looked
at other things –
and this motion, an ersatz motion, only you
being passed on
all sides
above and below
at breakneck
speed, only you catching whiplash in weed-like growth –
the woman wiggling
her nose like Sabrina the teenage witch
dislodges a booger
and eats it
your jealousy
almost euphoric
next to her an old
man with a rice paddy hat, next to both of them
the ceiling and
then cabling and then ceiling and then power lines
and then pollution
and then sky – limpid as a creature of the abyss.
No comments:
Post a Comment