when out of days encased the old pipes burst
we were inside one another, we were
caught and ambiguated as in dreams –
her eyes were the colour of strong Masala Chai
so stared at they were scarcely eyes anymore
but meaning –
the opposite of the alchemy sparked in a beautiful
phrase
put on refrain until it only sounded, looked
felt – mine a snow dog’s, cold as permafrost
the heat of our huddled bodies
wasn’t bent on parting us, as it had been
with others, such that we could have huddled
all day and did, such that I felt her like fresh tea
in my belly
and tea just warmer than blood against my skin.
*
it’s later – much later, I hope – and she’s riven by a
line
thinking of all the rain that’s ever fallen
she’s sitting on the line that splits her
pinning whatever I offered of me that night
to a canite notice board – a double quilt
requiring a packet of pins to support –
green thread scraps from her static clothes
that the head of a single pin can’t find and puncture
–
her hands still too unsteady for that, I hope –
an oversized turtleneck, sheet music, sheet lightning.
it’s later still and she’s in a bathroom, high –
drowning in all the rain that’s ever fallen.
*
poached egg skies and water liberated
from pressure so unrelenting
it was as if the story told was one of a soul
we listened, broke and rushed inside
my fingers in her hair the final words
of an elegy played so often and for more
than mourning – as she moved I recalled
that I could move and that I
was moving.
the hiss of a Disneyland cascade
corners drenched like trellises by ivy
the waterline at her calves, elemental stubble
the barrier laid at the doorway
of towels with which I’d watched her dry her body
towels I’d thought of coveting in secret
corners of her house – a little wet body without edges
covered in filaments of towel
and perfume stocked by a single house in Paris –
then she left to trigger the shut-off valve
and I for a time wasn’t anywhere, wasn’t blind
or sighted – then she was back
her spectral footsteps puddled the corridor
the pipes to every aperture ran dry
and we were so thirsty and so in love.
*
it’s morning and she hurls the full dustpan
at the mirror, before hurling herself through the
cloud
she’s clouded by dust and doesn’t brush her hair
out of that storied face
like an ageless girl’s – what she sees
the clearest reflection yet that the line, so frayed
and bafflingly braided will soon unravel –
that the paintings on the wall behind her must come
down –
that the deer skull on her bookshelf means more
that more of her speaks from those oddities than she
knew –
that she’s an oddity, beautiful to a fault
that aeons of rain cascade in her jeans pockets
for a reason, that as the dust calmly settles
it pulls her brutally towards the ground
and I am there –
it’s morning and the face of the fault of her beauty
is my face, roseate, settled everywhere.
*
we’ll steal like children into automata –
forests await us, but only in that state –
their pine needle carpets have rotted soft
and rotted sweet – plains and escarpments
mirror the way we’ll lie – and us
their arrowed pitching to the rim, their rising –
you, so small, in estrangement from the line
a shallow river urging your lips to open, your hair to
grow
your hunger to grow, your hunger for me to grow
your love of birds to open at last from its shell
of fear – your memories to force dead nights alive
and the pace of your heartbeat won’t frighten me
anymore.
love a thousand others while I sleep, but wake me
when everything has changed
and be mine.
*
the shut-off left a single drip alone
and immortal, to debunk water myths
of the tiles drowning in nothing
but the air that kept us afloat and sunk us –
pitter-patter of sleeping prone in the bath
washcloth’s engorged fibres wringing out
after my mother had finished with my hair
a busted metronome, ecstasy, horror, piss –
that was where I was
as she strode away with a cheap new mop
to a place where I couldn’t reach her –
I was in the bath and at burials
I was barely awake as I watched
the drip move the water and then the spillage rise
irresistibly towards her, and with it wafers of black
toenail polish, and sweet drafts of perfume and effort
–
it was then that I saw our coupled reflection
for the first time, and laughed –
kissed her until she couldn’t breathe
dried off her feet with my jumper.
*
it’s later still and she studies those sublime
memories of how I smell, how I taste
like dog-eared paper among perfect sheafs
they stick out and she can’t stand them
can’t stand how bent out of joint her mind is –
there are things she’d just as soon take back
as there are confessions lost now for a time
to confess them. there is no time
that isn’t speculative – no line that won’t cut
after brutal speculation – no touch
and all looks into all eyes are halfway gone
towards misreading, incitement of misdeeds –
she gets up earlier now that she’s alone
she wouldn’t care to know I never sleep.
It’s midnight and she’s in her bedroom, crying
and as I watch from afar, my hands in bonds
I think of everyone who’ll ever love her
as innumerable tiny light globes
on a wall in Las Vegas –
the brightest wall for area in the world –
I think of everyone who’ll ever love me
as music without voice or instruments
cobblestones laid too harshly
to walk on without pain
at the gates of a novelty casino in Las Vegas –
I keep us together, somehow, in stupid metaphor
I don’t want her to cry – but hope is treacherous.
*
be mine but be mine second – be yours first
devotedly yours with a conscience, mine with abandon
string fear into my aimless puppeteer’s love
by loving yourself more
turn the eye that sees because it, singly, looks
upon your own – then I think I’ll call to you
the gift with which I’ll consecrate that beacon
that I’ll find as we walk childlike through its forest
or lie or run or float or fly through its forest –
I promise you can’t know another way.
I’ll find it hiding in dewy thickets
in the plumage of beautiful birds
in the egg sacs on fallen leaves
in the taste of the pine needles I chew
in the taste of the soil I brush
from your rained-on cheeks –
all the rain that’s ever fallen
gushes from four pockets now –
in the fogbound path that forks away
from the other, that others have made
to win access to places once forbidden
a roughshod entrance to a garden
so soft and incidental
a garden like our ancestors once shared –
in the middle there is a flooded bathroom
and an unmade bed and a coffee table
a room unadorned except for salt lamps and spiders
plates of potatoes, wicked games and second-hand
clothes –
aberrant exhibits in harmony with every flower
every weed, every hour you’ve turned to me
and I’ve known –
somewhere between the garden
and each of those symbols frozen in time
and underlined by blurbs in tongues
never comprehensible, never the same
in hard-won hiding places, ever fearful
of compromise – that’s where I’ll find it.
*
it’s years later and I’m in foreign city, tired
so tired that every passing shadow is her.
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