Thursday 20 December 2012

The Girl in Gilgandra: Complete First Draft


We’ve arrived at Mount Carbine and don’t want to drive any further. We’ve been driving for four days. Dharman says that if we were hypothetically to take the Peninsula Development all the way to Cooktown, to the very top of the cape, there would be another three solid days of road left. Solid days of slick shifting dirt road, that is – the road here is still bitumen. Bitumen’s better for mirages, isn't it? Makes them look clearer, wetter. Like iridescent parachute pants moonwalking away, on the polished floor of a room that’s narrow and empty and endless.

We won’t drive far enough North to hit the dirt and that’s all right. That’s more than all right.  Anyway, for now we aren’t in a hurry to drive anywhere, or do anything except sit and drink beer, which I’m not enjoying much either. It’s almost forty degrees and you can feel every single one of them. There’s water left in some of the creeks running under the road; the vegetation around the dry creeks is green and abundant enough to suggest that there was water in those ones too, not so long ago. There are two dead kangaroos in my field of vision, little mucked up ones with burnished eyes, on the road at either side of this township, Mount Carbine as I’ve already said, which is really just a couple of houses, circumscribed by wooden verandahs, built around the pub I’m currently sitting at, the whole lot situated at a pretty remarkable point in the biosphere at which the Daintree gives over to the red termite-ridden barrenness of the inland cattle stations. People miss those transitional points in the Australian landscape, the ones that for four days have stirred me like the beating of some gargantuan drums or something, quite simply because they are few and far between and there is subsequently fuck all reason to be anywhere near them. I also see a place called Mount Carbine Preserves that purportedly sells jars and paraffin wax, but it looks closed, maybe abandoned.

An illusion: the rainforest mountains seem far closer to us than the GPS says they are, looming in front of the horizon as though bent forwards. But the tropical air – cloyed with sugarcane and banana and mango and the sea – we breathed in so giddily yesterday is long gone. What has replaced it is dry and hard to describe and equally hard to inhale. Across from where I’m sitting – on the verandah of the pub – there is a wooden fence painted green and then the road and then a fucking enormous tract of copper desert and then the mountains, the loveliest I think I’ve ever laid eyes on, even lovelier than the Rockies or the Andes that make brushy ant hills of them, and to my right I can see the excavated ridge, like the lip of a fancy salad bowl, of a decommissioned open-cut coal mine.

The XXXX beer beside this notebook is probably warm by now. The boys have gone inside where they serve counter meals and have a lot of seventies-style ceiling fans going. But I hate the feeling of fanned hot air more than I hate the hot air itself and so I have stayed out here. I’m not hungry. The total absence of wind out here is almost disconcerting, but isn’t. Trash spills from a wheelie bin resting against the lamppost our Landcruiser is parked next to. What I know as stink bugs teem like a greenish shadow around the trash. Then Dean blusters through the green plastic ribbons in the doorway of the pub and looks at me. Then he looks at my notebook. Then he blusters back through the ribbons; I think some were hanging onto him the whole time. I think he was coming to ask what I was doing. He looked drunk, which I’m happy about because I like it when the boys get drunk, especially Dean. It’s somewhere between three and five o’clock in the afternoon. I notice that the sliding door, also painted green, has come off its thread and is basically leaning against the weatherboard side of the pub like rubbish awaiting the arrival of a skip; maybe the pub never closes.

I’m going to use this stopover to tell the story of a single incident that has happened to us on the road and that strikes me in this first moment of proper contemplation as being special. Maybe it’s cowardly occlusion to say so, or fatigue, or self-sabotage, but I reckon that this will be the only writing I do until I get back to Melbourne. I’ve never set down anything like that before. I’ve also never kept a travelogue and finally understand why: writing about experiences inevitably eats into and therefore detracts from the time for experiencing them. Now the publican is on the veranda and I’m looking at her deferentially, as if she were a kind of outback goddess. She could be the girl’s mother…but I’ll get to her later. The publican’s hair is dyed blonde, she has on faded blue jeans and high heels, and is either an old-looking forty or a youthful fifty. For a moment the callous thought of wheedling my way into her heart so as to steal all her money lights up my imagination. Worse, I think that depending on the circumstances I might be capable of fraud by love, the worst kind of fraud, because the prospect of it doesn’t seem to bother me at all. Then I think about what the publican’s armpits look like and how they smell, which does bother me.

She asks me how I am. Good, I tell her. She asks me if I’m finished with my beer. Yes, I tell her. When she asks me if I’d like another beer, I tell her no. As she is walking towards the ribbons and I’m paying vague and unfeeling attention to the way her arse moves, I picture those hundred millilitres of flat beer drizzling down the drain very clearly all of a sudden, very clearly and very affectingly; the feeling it arouses is closer to disgust than fear, but not much closer. My skin catches the sunshine and I shiver. Then the green ribbons go still and I shake my head, mime something I instantly forget, and turn back to my notebook.

·       

Gilgandra is either at the top of New South Wales or the bottom of Queensland. I don’t remember exactly where it is and have no phone reception to check. As a Victorian, it’s all the same to me. What’s for certain is that there were XXXX signs on the pub, a very beautiful old pub, and that the ovals weren’t ovals anymore but rectangles, with rugby goals at either end.

We were having problems with the leaf spring suspension on the left wheel of our trailer. And the axle was fucked. And the mud flaps were shredded. In short, the trailer was all at sea. At low speed it sounded like the tires were rubbing against the checker plate; it was trailing so wonkily that I half expected the whole lot to become the problem of the car behind us at any moment. Driving through Gilgandra, the decision was made to stop and finally do something about it.

There was a little sunlight left. We crossed a bridge over a river, the names of which I don’t recall. Some blokes were fishing on the banks beside it, and they had a large campfire going. On the other side of the bridge there was a stretch of road that seemed as good as any to pull over on, and so we did and then all of us got out. By ‘we’ I mean Pete, Stuart, Dharman, Sean and me. Next to the road was a big expanse of nothing, naked earth, grassless and weedless, which slowly gave over to a few shrubs and trees closer to the river.

My being out of the Landcruiser at all was almost symbolic: I knew absolutely fuck all about cars, let alone trailers. I didn’t really know much about anything, besides books that was. But still I stood with my arms and legs crossed and nodded whenever Pete or Dharman – who by then was underneath the trailer bashing the axle forward with a sledge hammer – said something about what was wrong or how they planned to fix it. There was heat and a simmering sound coming from the engine; neither of these was abnormal. The strong smell of motor oil and coolant wasn’t bad. Then Dharman asked me to get the jack out of the checker plate box on the front of the trailer. I got it and handed it to him like I knew how to use one.  Then Dharman asked me to head towards the trees and find a big piece of wood – I wasn’t sure why.

I started to walk along a narrow byroad towards the river. I was barefoot and there were a few prickles, and the sun had gone down completely, and even trucks, usually tireless, had deserted the Newell.  The amber light on the bridge was the only beacon for ages; relative to the darkness it looked brighter than it actually was and I still had a lucid enough recollection of bright lights to know the truth. Oddly, not a trace of the fishermen’s campfire could be seen. Even the town, Gilgandra, which I began to see on the other side of the river, was nothing but a craggy silhouette.

Except for immovably big branches on the eucalyptus trees, I soon discovered that there wasn’t any wood that was of use to us. There were a lot of twigs, but they wouldn’t do; I even asked Dharman across the plain and he yelled back no, they’re useless. When looking back towards Dharman I was surprised at how far the river had ended up being from the Landcruiser, the Newell. It must’ve been a trick of the night. I could see the silver surface of the river and the forked deadwood sticking out of it. I could see that the river was shallow and weather-beaten, that the drought would probably unmake it before the decade was out, turn it into a place to pitch a swag, a dependable track for bushwalkers, still blue on their big topographic maps, a wallow for wild boars. Then the rains would come and make it again: I thought that rebirths of waterways warranted new names because bad omens had been made of the old.  At my feet there was a long, solid object that looked like a log. After bending down and grabbing with a certain excitement it I found that it was made of cement and wouldn’t budge. I was pondering the existence of such a strange and seemingly purposeless object when a light appeared across the river. It was a cigarette lighter, jacked to a sizeable flame, being held with both hands by the most beautiful girl I’d ever seen.

·       

Her ankles, I saw as I watched her bend down – quite gracelessly, but a gracelessness that made my dick go hard – were festooned with bow-tied strings, and jewels. I could see the perfect curvature of her arse in the flickers, the way it melted into her hamstrings so effortlessly, her pleated black – or brown or navy – skirt hiking right up. She made no effort to lower it. She thought she was alone. In a way she was. Her face was so perfect as to be almost waxen, and her hair was like water. The tree that hid my body now was the widest along either bank, and, like a professional peeping tom, I’d gone so still and quiet that I was hardly breathing. I soon saw that the girl had a bag with her and that she’d crouched down to get something out of it. Then the flame went out. I heard some indeterminate noises and then nothing. There was nothing.

Her eyes were what I saw when it came on again, and I jumped in a sort of shamefaced panic. Her eyes were staring directly into mine, as if she had been aware of my presence the entire time. At that moment the flames started to grow and the girl turned and ran into the darkness, which took her too quickly for me to do anything.
Fire! There’s a fucking fire! I heard from behind me. The words sounded loud and soft at the same time.

·     

Pete’s gangly limbs looked out of control in motion. Dharman didn’t swing his arms. Stuart had a cigarette in his mouth and lagged behind. Sean, a champion district basketball player before he discovered ice pipes, still ran like a man who’d been going to sleep; despite the felt Akubra flying off his head midstride, he seemed to be at me and asking excited questions just a fast as she’d been at me with her eyes, floating into the foam and snake pits of my soul, and just as fast as she’d taken off.

There was more smoke than fire; the underbrush was twiggy like I said – and barky. Meager. I thought about the amount of stinging, reeking, choking smoke that people were prepared to tolerate in exchange for the succor of a pissy fire and the beautiful glow of embers. I thought I could feel the temperature changing, but not necessarily getting warmer. Then the calluses on the sides of my feet began to bother me; no matter how I stood I was uncomfortable. And I shifted and slouched and straightened until the idea of having to engineer a certain stance at all left me strung out, bamboozled almost. I sat down on the ground. My hands, which were propping me up from behind, dug shallowly into the earth. The earth was damper than I’d expected, or would’ve expected, if I’d expected it to be any which way. The boys were too wrapped up in the fire to notice.

Although she was gone for the time being, one girl after another was appearing in my head in rapid succession. Of the parade, some were watering houseplants of myriad variety and in myriad houses, others were standing in line for groceries, others were sitting with their seatbelts buckled in aeroplane cabins, others were so close to me that out noses would’ve touched, others were on the toilet, others were the possessors of noses I’d touched in real life, others were put with no aid from my volition into scenes so fucked up that I felt like pitching my head against the cement log on the ground to make them stop, scenes I won’t even dignify by describing or thinking too much about, especially while the publican is out here. The girls were succeeding each other so rapidly that there was a kind of flipbook singularity to it, and a sense of time accelerating towards something absolute or at least resolutely towards something unknown. The mind it races was an expression I’d understood only crudely; I understand it better now. I half expected a red brick wall to appear and to crash straight into it and wake up hypnic jerking. When I breathed I could hear my pulse and smell: two or three different kinds of men’s deodorant, wood smoke, animal shit, canned tuna, eucalyptus.

The flames, we figured, could only spread so far: there was a parking lot between Gilgandra’s buildings and the river, and the night was dead still. At worst, a few trees would get overrun and wrecked, trees locals would point out to people from out of town as the sole survivors of the Big Fire. In the half hour that followed, what seemed like the entire population of the greater region poured into the parking lot. It was as big a convergence of people in a small area as I’d ever seen, I think. Everyone was coughing. Most of the people were older than fifty and overweight. It was either a Friday or Saturday night. Then a fire truck arrived and, moments before or after, two policemen on horseback. I wondered why the police would send the mounted unit instead of a squad car, and thought that maybe there was no squad car in Gilgandra, but then trumped that thought with the thought that that was stupid, if there was a mounted unit then of course there was a fucking squad car.

At a guess we were thirty metres away from the townspeople; we were also a river and a small bushfire away from them. Ostracised by the rumble of all those conversations, all the familiar names I could hear being used to address people I didn’t know, I began to fixate on the policemen’s boots in the stirrups. The appearances of the cops themselves were of no interest to me whatsoever. I tried to figure out what brand the boots were and concluded that it was a Doc Marten knock-off, probably standard issue for both cops and the ADF. From there I panned out until I could see the whole animals – not the riders, just the horses. They were the colour of the steam that plumed into the air after you doused a fire with water, or the pall of steam that hovered over bubbling green liquids in the science labs of villains in the movies. They looked twice the age of any other horse in the world. I was looking at them while chewing the skin off my fingertips when suddenly Sean stood over me and made a gesture right in my face that was like a tiger clawing and said, I’m gonna maul you in a minute. And I said, what? And Sean said, get the fuck up, we’re crossing over to get amongst it.

Walking back over the bridge, I saw that the fishermen had left. Some coals in their fire were still weakly aglow. There was a dark object next to the fire that I thought looked like a fishing bucket. Had they forgotten it? Stuart spat over the side of the bridge, listening carefully for I don’t know what, the spit landing on the water possibly, or something else, and then pulled his pants up because they were too big for him and had fallen down so far that his entire arse was exposed.

·       

Then we were in the thick of it, and the looks on the townspeople’s faces weren’t what I’d expected them to be. There was hardly a trace of consternation, still less of fear. It wasn’t that nobody gave a fuck though, only that the expressions on display pointed to other feelings, feelings of either annoyance or exasperation or outright rage, and it struck me that this was probably not the first incident of its kind to have happened recently in Gilgandra. The kids, and there weren’t many of them, seemed to be laughing and having a good time; some of them had even tied their windcheaters over their mouths. We were getting strange, not to say menacing, looks from certain people.

What must the riverbanks have looked like in the daylight? I thought differently about the bareness of the big tracts of earth by the Newell. In my mind I saw huge territories burning to cinders, helicopters water-bombing woodlands, corrugated iron roofs melting like caramel, charred photographs, men lying facedown on grandmotherly beds. We watched the fire crew jump out, watched the hose unravel, watched as the water pressure went from trickle to torrent. We watched the motivational huddle: more than one of us said how cool it would be to do that sort of shit. The decision was made to assume a similar position when the triple-drop of acid we’d planned for the upcoming night of the total eclipse started to kick in. When we all rip our hands way, said Pete, we have to say rules is rules.

Behind a very overweight family of four, I saw her. Maybe her clothes were different than before, maybe they were the same. She was holding an old woman’s hand. The old woman looked a lot like Margaret Atwood. Both smiling faces flashed with the light of the fire sirens. Then one of the cops trotted to the front of the gathering, just shy of where the firefighters had already more or less contained the blaze, and everybody fell silent. The fire is under control, said the cop. He then added, unbelievably slowly as I remember it, that anybody with information should make themselves known to police right away, that the offender or offenders had despoiled public land and wasted taxpayer money for the last time. We’re prepared to impose a curfew if need be, said the cop. If you don’t want us to be forced to impose curfews on the whole community, if that’s not something you want on your conscience, then I urge you, if you’ve got any information at all, to come forward now. A wave of murmurs broke through the crowd, but quickly died out.

Still holding the old lady’s hand, she was talking to a group of boys around her age – seventeen I’d have guessed. For what felt like a long time I stared at her. All the willpower I had I poured into getting her head to turn towards mine. I wanted to tell her I knew, but that her secret was safe. I wanted her to tell her to watch as I marched up to the cops and blamed the fire on those fishermen, which is what I was about to do. Yeah, as the publican puts a jug of ice water and a pot glass in front of me, and I thank her more profusely than is necessary, I can say for sure that I was prepared to finger those poor fucking fishermen for the crime. And for what? To acquit that girl? Because of a slavish, priestly devotion to the altar of female loveliness? The story I’ve told, reading over it now, seems to give that impression. But I don’t know. For some reason I don’t want to bluntly chalk it down to the fact that I’m a man who likes women and she was a perfect example of one. I want it to be more than that. And anyway, the girl never turned and so I turned and saw my mates taking silly photos in front of the fire truck.
·       

I was getting my photo taken when there was a terrible sound. It was a hard thud and then a scream, or the same but in reverse order, and when I turned and saw that one of the police horses had given out the bitumen and was lying flat on its side, I thought the scream had been animal. But the scream didn’t stop. It was the policeman, and Steele, the name he continued to shriek like a madman, would never get up again. A horse doctor whose name was Mick rushed over and after checking a few vitals he pronounced the horse dead. The other cop was forced to physically restrain his partner in much the same way as if he’d just apprehended a crook. It was a bizarre and adrenaline-spiking scene that even the firemen had stopped to watch. Smoke from the freshly quelled fire cast an eerie pall over everything. The whole of Gilgandra looked to me like a pack of wretches, like an army of the damned. In fairness, everyone was sad, everyone except the girl, who was no longer standing where I’d seen her last and was therefore, for all intents and purposes, no longer alive either.

·       

The home job we did on the trailer lasted until Mackay. I thought that was pretty impressive, and so did the bloke who fixed it properly for us. Dharman and Pete should’ve taken all the credit, since they did all the work, but they told the bloke it was a team effort. I asked Pete why and all he said back was rules is rules. Earning the respect of that trailer repairman filled me with a sense of pride that was so alien to me, and I doubt I’ll ever feel such an edifying and pure sort of pride again. Now Dharman and Pete are inside the Mount Carbine pub with the ceiling fans and a couple of locals, already half-cut, and I think it’s high time I bought them a pint or two to say thanks. 


Monday 17 December 2012

Festival Story - The Girl in Gilgandra - Part 2



Gilgandra is either at the top of New South Wales or the bottom of Queensland. I don’t remember exactly where it is and have no phone reception to check. As a Victorian, it’s all the same to me. What’s for certain is that there were XXXX signs on the pub, a very beautiful old pub, and that the ovals weren’t ovals anymore but rectangles, with rugby goals at either end.

We were having problems with the leaf spring suspension on the left wheel of our trailer. And the axle was fucked. And the mud flaps were shredded. In short, the trailer was all at sea. At low speed it sounded like the tires were rubbing against the checker plate; it was trailing so wonkily that I half expected the whole lot to become the problem of the car behind us at any moment. Driving through Gilgandra, the decision was made to stop and finally do something about it.

There was a little sunlight left. We crossed a bridge over a river, the names of which I don’t recall. Some blokes were fishing on the banks beside it, and they had a large campfire going. On the other side of the bridge there was a stretch of road that seemed as good as any to pull over on, and so we did and then all of us got out. By ‘we’ I mean Pete, Stuart, Dharman, Sean and me. Next to the road was a big expanse of nothing, naked earth, grassless and weedless, which slowly gave over to a few shrubs and trees closer to the river.

My being out of the Landcruiser at all was almost symbolic: I knew absolutely fuck all about cars, let alone trailers. I didn’t really know much about anything, besides books that was. But still I stood with my arms and legs crossed and nodded whenever Pete or Dharman – who by then was underneath the trailer bashing the axle forward with a sledge hammer – said something about what was wrong or how they planned to fix it. There was heat and a simmering sound coming from the engine; neither was abnormal. The strong smell of motor oil and coolant wasn't unpleasant. Then Dharman asked me to get the jack out of the checker plate box on the front of the trailer. I got it and handed it to him like I knew how to use one.  Then Dharman asked me to head towards the trees and find a big piece of wood – I wasn’t sure why.

I started to walk along a narrow byroad towards the river. I was barefoot and there were a few prickles, and the sun had gone down completely, and even trucks, usually tireless, had deserted the Newell.  The amber light on the bridge was the only beacon for ages; relative to the darkness it looked brighter than it actually was and I still had a lucid enough recollection of bright lights to understand that.  Even the town, Gilgandra, which I began to see on the other side of the river, was nothing but a craggy silhouette.

Except for branches attached immovably to the little assortment of trees, I soon found that there were no bits of wood bigger than twigs. Looking behind me, I was surprised at how far the river was from the Landcruiser, the Newell. I could see the silver surface of the river and the forked deadwood sticking out of it. I could see that the river was shallow and weather-beaten, that the drought would probably unmake it before the decade was out, turn it into a soft place to pitch a swag, a dependable track for bushwalkers, still blue on their big topographic maps, a wallow for wild boars. Then the rains would come and make it again: I thought that rebirths of waterways warranted new names because bad omens had been made of the old.  At my feet there was a long, solid object that looked like a log. After bending down and grabbing it I found that it was made of cement and wouldn’t budge. I was pondering the existence of such a strange and seemingly purposeless object when a light appeared across the river. It was a cigarette lighter, jacked to a sizeable flame, being held with both hands by the most beautiful girl I’d ever seen.

·       

Her ankles, I saw as I watched her bend down – quite gracelessly, but a gracelessness that made my dick go hard – were festooned with bow-tied strings, and jewels. I could see the perfect curvature of her arse in the flickers, the way it melted into her hamstrings so effortlessly, her pleated black – or brown or navy – skirt hiking right up. She made no effort to lower it. She thought she was alone. In a way she was. Her face was so perfect as to be almost waxen, and her hair was like water. The tree that hid my body now was the widest along either bank, and, like a professional peeping tom, I’d gone so still and quiet that I was hardly breathing. I soon saw that the girl had a bag with her and that she’d crouched down to get something out of it. Then the flame went out. I heard some indeterminate noises and then nothing. There was nothing.

Her eyes were what I saw when it came on again, and I jumped in a sort of shamefaced panic. Her eyes were staring directly into mine, as if she had been aware of my presence the entire time. At that moment the flames started to grow and the girl turned and ran into the darkness, which took her too quickly for me to do anything.
Fire! There’s a fucking fire! I heard from behind me – while obviously screamed, the words were as faint as whispers.

·     

Pete’s gangly limbs looked totally out of control in motion. Dharman didn’t swing his arms. Stuart had a cigarette in his mouth and lagged behind. Sean, a champion district basketball player before he discovered ice pipes, still ran like a man whose body wasn’t in drugged abeyance; despite the Akubra flying off his head midstride, he was at me and asking excited questions just a fast as she had stared into the foam and snake pits of my soul and then gone.

There was more smoke than fire; the underbrush was barky, meager. I thought about the amount of stinging, reeking, choking smoke that people were prepared to tolerate in exchange for the succor of a little fire and the beautiful glow of embers. How metaphorical the straightforward could become, and how quickly. The flames, we deduced, could only spread so far: there was a parking lot between Gilgandra’s buildings and the river, and the night was dead still. At worst, a few trees would get overrun and wrecked, charred memorials of the time something close to danger came to town.

In the half hour that followed, what seemed like the entire population of the greater region poured into the parking lot. It was as big a congregation of people in a small area as I’d ever seen, I think. Most of the people were older than fifty and overweight. It was a Saturday night. Then a fire truck arrived and, moments before or after, two policemen on horseback. Ostracised by all the rumble of all those  conversations, all the familiar names I could hear being used to address people I'd never seen before, I began to fixate on the policemen’s boots in the stirrups, and the greyness of both horses, when suddenly Sean made a gesture right in my face that was like a tiger clawing and said, I’m gonna maul you. And I said, what? And Sean said, wake the fuck up, we’re crossing over to get amongst it.




the televisual visual


it takes three remote controls
to turn your cheap Kogen TV
from standby to on –  three!
then when all lights are green
an ossified screenshot of the last piece

of drivel you watched is, for the briefest of moments,
still  blazoned to the LCD screen
by the digital set top box –

a kitchen that’s more of an
Ikea-decorated gymnasium
with an oven and deep fat fryer –
could be Master Chef but then
it could be Iron or Naked or Surprise –

before it’s usurped by the grainy footage
of a Syrian fire fight and children
in soldier’s garb in Palestine

kissing this or that dignitary
cleric, getting rubbed up
by the cone of salt and pepper
sprouted on his face, rubber
AK 47s flapping like windsocks

at country airfields, or the limbs of effigies
aerated and flailing outside caryards –
then a glimpse of unbridled chaos

on Wall Street,
then another street
of caricatures
mad people
foreclosed houses –

that’s when you realise the volume’s down –
there’s a fourth remote for that –
two AA batteries in its coverless back –

cover probably tucked
covertly between couch cushions
with lint and almonds
and oats and five cent pieces
so old they’ve gone green –

and the spider-vein cracked covers
of the other three – you’re on a couch
that’s draped in a white bed sheet

a big cotton prophylactic
and pillows with Asian embroidery –
ochre roses on the couch’s
grandmotherly upholstery
show dimly through the areas

clinging tightest to the fabric – arms
like a stockinged woman’s arse cheeks
and the volume’s at a hundred

but still the speakers
are dumbly silent –
Cathy Freeman’s being interviewed
in a Coles supermarket
and you’re upset you can’t hear

because all that remains is to look at her
and to look, for you, is to sexualise
and to sexualise is to be too much

of a human being for this lounge room
more suited to an empty old mansion
in which a toilet hasn’t flushed
for longer than your measly life
than a cheaply finished townhouse

sprayed with the luxury brand of shellac –
masking tape mortar
suits with squiggly pinstripes –

now the newsreader’s back on air
and the volume, as it happened
needed to be jacked on the box
as well as the TV – and his hair
and airbrushing lend a youthfulness

that the oaky voice turns away
and his brown eyes gaze askance
at the teleprompter –
woman at his side
twenty years younger and Pilipino –

you rebuke yourself for thinking
of mail-order brides –
then the clitoris, omnipresent

dancing, lit from within
by a roseate light whose bulb
you can see inside, the body
of the bearer absent
from that thought but not from them all –

a story about space comes on –
on the speckled black screen
you see your lower torso
then slouch to the wing-like collarbone –

pretty soon the face you hate
overlays the Helix Nebula
and the four remotes on your knees
have slid to the polished floor
without a sound – your crook nose

crooker in that vastness, that humungous
example of curvature – your sclera pale
your irises grey, and hair that seems the fountainhead

of all hair – how young you are
but how much older than before
and before that – certain cells as dead

as certain stars still sparkling
on that greatest of all echoes
unfathomable as the way
that face moves at your directive –
then a NASA lab explodes onto your retinas

and the reflection is gone – you bend down, crying,
to pick the remotes up, and when again you look
the letters on the screen spell seven billion stories

and something else – the feature film that starts
is an avant-garde one from Egypt
about suicide and fruit-eating –
a film so quiet, even the Metro Goldwyn Mayer
lion’s roar’s been sent to sound byte heaven.


Saturday 8 December 2012

The Girl in Gildandra


We’ve arrived at Mount Carbine and don’t want to drive any further. We’ve been driving for four days. Dharman says that if we were to take the Peninsula Development all the way to Cooktown, to the very top of the cape, which we’re not, there would be another three solid days of road left to roll our twenty-four inch tires along. Solid days of dirt road, that is – the road here is still bitumen. Mirages look better on bitumen, I think. More lucid, wetter, if it makes any sense to describe a mirage in those terms. Like iridescent parachute pants moonwalking away, on the polished floor of a room that’s narrow and empty and endless.

We won’t drive far enough North to hit the dirt and that’s all right. That’s more than all right.  Anyway, for now we aren’t in a hurry to drive anywhere, or do anything except sit and drink beer, which I’m not enjoying much either. It’s almost forty degrees. There’s water left in some of the creeks running under the road, and the vegetation around the dry creeks is green and abundant enough to suggest that there was water in those ones too, not so long ago. There are two dead kangaroos in my field of vision, little mucked up ones with burnished eyes, on the road at either side of this township, Mount Carbine as I’ve already said, which is really just a couple of houses, circumscribed by wooden verandahs, built around the pub I’m currently sitting at, the whole lot situated at a pretty remarkable point in the biosphere at which the Daintree gives over to the red termite-ridden barrenness of the inland cattle stations. People miss those transitional points in the Australian landscape, the ones that for four days have stirred me like the beating of some gargantuan drums or something, quite simply because they are few and far between and there is subsequently fuck all reason to be anywhere near them. I also see a place called Mount Carbine Preserves that sells jars and paraffin wax, but it looks closed.

An illusion: the craggy green mountains of the rainforest have clung to the foreground of the horizon. They seem far closer to us than the GPS says they are. But the tropical air – cloyed with sugarcane and banana and mango and the sea – we breathed in so giddily yesterday is long gone. What has replaced it is dry and hard to describe and equally hard to inhale. Across from where I’m sitting – on the verandah of the pub – there is a wooden fence painted green and then the road and then a fucking enormous tract of copper desert and then the mountains, the loveliest I think I’ve ever laid eyes on, even lovelier than the Rockies or the Andes that make brushy ant hills of them, and to my right I can see the excavated ridge, like the lip of a fancy salad bowl, of one of Queensland’s biggest open-cut coal mines.

The XXXX beer beside this notebook is probably warm by now. The boys have gone inside where they serve counter meals and have a lot of seventies-style ceiling fans going. But I hate the feeling of fanned hot air more than I hate the hot air itself and so I have stayed out here. I’m not hungry. The total absence of wind out here is almost disconcerting, but isn’t. Trash spills from a wheelie bin resting against the lamppost our Landcruiser is parked next to. What I know as stink bugs teem like a greenish shadow around the trash. Then Dean blusters through the green plastic ribbons in the doorway of the pub and looks at me. Then he looks at my notebook. Then he blusters back through the ribbons; I think some were hanging onto him the whole time. I think he was coming to ask what I was doing. He looked drunk, which I’m happy about because I like it when the boys get drunk, especially Dean. It’s somewhere between three and five o’clock in the afternoon. I notice that the sliding door, also painted green, has come off its thread and is basically leaning against the weatherboard side of the pub like rubbish awaiting the arrival of a skip; does the pub ever close?

Instead of writing something summative, a diary entry or epic narrative poem that catches everything up and then some, which was what I’d originally planned to do, I’m going to use this stopover to tell the story of a single incident that has happened to us on the road and that strikes me in this first moment of proper contemplation as being special. Maybe it’s cowardly occlusion to say so, or fatigue, or self-sabotage, but I reckon that this will be the only writing do until I get back to Melbourne. I’ve never set down anything like that before. I’ve also never kept a travelogue and finally understand why: writing about experiences in detail inevitably eats into the time allotted to experiencing. Now the publican is on the veranda and I’m looking at her deferentially, as if she were a kind of outback goddess. Her hair is dyed blonde, she has on faded blue jeans and high heels, and is either an old-looking forty or a youthful fifty. She asks me how I am. Good, I tell her. She asks me if I’m finished with my beer. Yes, I tell her. When she asks me if I’d like another beer, I tell her no. As she is walking towards the ribbons and I’m vaguely and unfeelingly attentive to the way her arse moves, the thought of those hundred millilitres of flat beer drizzling down the drain suddenly becomes very clear and very affecting; the feeling it arouses is closer to disgust than fear, but not much closer. My skin catches the sunshine and I shiver. Then the green ribbons go still and I shake my head, mime something I instantly forget, and turn back to my notebook. 


Friday 7 December 2012

Last Festival Poem: Mossman Gorge


is it the rapids or the moss
or the fizzing roil that makes
the granite river monoliths,
their every submerged surface
like sharpened microplanes, move?

blue butterfly or blue-clawed yabby
or volleys of burnished sunlight
through the sky-high overhangs 
that wake me and melt to caramel

the misgivings I once had about fire
ant colonies, armies of rainforest moths,
the first chilling thrusts of my limbs
through water – the first bitter husks
of milky inedible nuts, first chilling breaths,
first taste of the surface-splash
like chandelier crystal, tubular bell echoes –

the first fish, first gemstone
amongst the skimming pebbles –
seabird skein flying north or south or neither,
all the fearful tendrils of an unknown
so immense I bite my lips to blood –

watching footprints dissolve on the beaches
I imagine the highest fern crown
crowning the head of a woman,
her imprecise features aglow,
her toes speckled with glowing hair,
the walnut wood hardness of her body

hiding a spirit so brittle and fleeting
that she gazes at her image in the river,
sees the body and the spirit as the alien
base for her green crown of selfhood,
the crown this gorge gave to her and will
reclaim at the oil-drum-flanked exit –

the noise its existence makes,
marmalade air
its exhaust vapours,
condensation forming slowly
on naked skin, the wild play
of insects – the great illusory
stillness, blind stillness –

imagine a city where the esplanades
are the busiest on earth
but where deadwood, 
granite and human beings 
with minds that work
and don’t work is the only detritus - 
would that city
not be ‘the world’s most livable’?


Monday 3 December 2012

the last love letter I wrote you


there were broken rosary beads
piled and folded into
the last love letter I wrote you—
and a pale silver pendant
with a face of ivory—
a fearsomely tranquil woman
taken for mad by admirers
half the time—the clasp
on the necklace broken too
in the last love letter I wrote you—
there were marks from my unclean fingers
etched like wan waypoints into
the last love letter I wrote you—
and addendums in the dog-ears,
your favourite English numbers
frozen in mathematical quietude
in the last love letter I wrote you—
there were nine apologies,
crescendos, mountainous, moot
in the last love letter I wrote you—
and twelve glib repeats
of your name, Audrey—
clumsy invocations to look
at what you as happening
had reduced me to
in the last love letter I wrote you—
there was forest of blade edges
every word another split-off saw tooth
glued back together so artfully
that it is painful now to admit
that I felt nothing, thought nothing,
while writing it all to you.


Saturday 1 December 2012

Festival Story 1, Part 1: Sightings


There were two white cardboard plaques fastened with rubbish bag ties to a tree, some kind of paperbark, maybe a Melaleuca. On one of the plaques were the letters EW, in pink, and on the other LM, in green. Steven estimated the distance from which he had seen them clearly to be thirty or forty metres. Standing at the tree now, appreciative of the shade it afforded from the midday heat, he touched the lettering on both plaques as if to confirm that his vision hadn’t failed him. It hadn’t. The letters seemed to be cooler than the bare cardboard; Steven shivered with elation and with chill as he pitched his arms aloft. Kick drums thudded a long way off. He could see. He could see!

Some people passed him by, smiling. The three women were wearing brown and dark khaki Bedouin skirts, festooned by leather belts that looked like broken gun holsters, and they had water bladders on their backs and Henna on their bare feet and hands and more holster cuffs around their wrists, and Nepalese scarves over their dreadlocked heads. When the man, whose checkered red Indian pantaloons finished above his ankles and whose sandals were of the style worn by men in Marrakesh, and on whose concave chest a thin triangle was tattooed, inside which the third eye blazed pallid blue like an iceberg, spoke to the women in Hebrew, Steven understood that they were Israeli. There were always a lot of Israelis at these kind of festivals. It was a of rite of passage, one had told him on the Market Stage at Rainbow Serpent some years ago, for young Jews to travel abroad after military service – three years for men, two for women – which was not only compulsory but real: where were the post-conscription Norwegians, the Danes, the Swiss, the Fins? Add to that a love of the harder and more unhinged styles of psytrance – embroidered into the cultural fabric by the likes of Infected Mushroom and the Iboga Records stable of artists – and you had the quintessential electronic dance music hippies. Because of his long, mousey curls, Israelis had often mistaken Steven for one of their own. It had been his ticket into the sexy underpants – and hippies did wear lingerie – of scores of Jewish girls, whom he found attractive but quite brusque to talk to, and usually outright rude when they were in groups.

This time, however, the Israelis had smiled at him. Maybe it was the mistaken smile of kinship again, but Steven thought it more probable that they had seen his triumphant outstretching, and in it, the way New Agers often did, seen a kind of involuntary homage to beneficent Mother Earth, or Pachamama or Gaia, or one of the other names – almost always female – that were ascribed to the great wheels of creation and destruction, life and death. The smell of incense wafted into his nostrils; Petar Dundov’s Oasis and its magnificent refrains played over in his mind. Then there was nothing except for a wordless sense of wellbeing. From the tree Steven could almost make out the canvas weave on the teepees at the lifestyle village, which was still some way downhill, by the Billabong. He could see the ripples on the Billabong water, the throng of human bodies, most of them not white as his was, standing and sitting and swimming and floating on their backs in it, and the blueness of the big water lilies. Somebody had assured him yesterday that the lilies were edible, but Steven had to yet to find a reason to try them. He decided, adjusting the towel around his neck, to tear a piece of one off and eat it while he swam. It smelled piquantly of mud closer to the water. The crocodile warnings staked to the muddy banks were so clear and steeped in sunshine that they seemed to glow.

*

The lily tore in a perfectly straight segment, and felt like tissue paper that had been dusted with fine-milled flour. With his feet grazing the bottom, Steven held the lily roots as he chewed. Sure, it was edible, but it wasn’t good. Not poisonous, just not good, and how many things in nature were ‘edible’ in that crude sense? Mud, and maybe the smell of the compost toilets, swirled around him on the breeze. The sunscreen on his shoulders face felt slick and poorly rubbed-in; it was probably still white.  The sky was so clear that it looked whitish, and was full of particulate matter – atomized flowers, maybe lilies, dandelions, leaves, flies (dragon, march, butter, blow) – which Steven could not only detect but distinguish from one another like coordinates on a map of unsurpassed complexity. He could even have counted it all, had he wanted to. But he didn’t want to. He was still recovering from the previous night, and the heat was fierce.

At the centre of the Billabong, an enormous white orb bobbled, anchored to the spot by wires and a steel base that looked like an eggcup. A man was breaststroking towards it. The orb looked to be made of polyethylene and the base had attracted a thick perimeter of water grasses and tumbleweeds. The man’s bare arse rose above the turbid surface with every frog kick. Steven swam out a little further, towards the crocodile netting, to get a better look. When it was too deep to stand up he treaded water and watched the urgent movements of the body, the pallour of it, the absurd buoyancy of the black dreadlocks, the plant matter enveloping the man as he reached the orb. Then a whistle sounded, first a protracted blow and later a series of sort bursts, and there were two men under the lifeguard’s gazebo shouting ‘Get back! Get back!


Festival Poems 5 & 6: Murrumbidgee Morning, Dead Man's Gully


I awake to naked women
holding their brailed bodies
as they wade to the depth of their waists
in the Murrumbidgee –

and to the current running
leaves like logs on a theme park
flume ride, and to three dead
rhinoceros beetles cultish
in their grouping by my swag –

and gum trees that look so little
now that it is daylight, less of a
gnarled predilection for animism
or sorcery, but fuller with crows –

I awake to the longish hair
of two men I don’t know –
boyfriends from interstate
who shake my cold hand firmly –

their presence has a slighter effect
on me than the wind, or the stones
beneath my mattress, or the press
of oversized convoys on the highway –

the pleasantries we share –
one offers me an old pizza slice –
serve only to illumine a truth
that I have spent this whole trip
trying in vain to deny –

the company I keep,
the intimacy I conduct my athlete’s heart towards,
the smiles I flash, flash like torchlight
are viewed always from beyond my body
in a place where judgments are unfairly severe –

where Anders Villani is an avatar
for I don’t know who.

…..........................................................................................................................................................

at sunset, Dead Man’s Gully –
over which runs Wordsworth Bridge –
seems from afar to be the last
bastion of the final onslaught
of Zarathustra’s Great Star –

its brushy dunes and dead creek bed
suffused with the lulling hues
of an old lady’s garden,
its distant ‘V’ cradling an orb

that will be bloodiest in the moments
anticipating its quiet
deference to another hemisphere,
another gully, another Wordsworth bridge –

now the skyscraping windmill
and quietude – crow song subsumed
into this cluttered silence – reign –
I watch as the rusted rungs

toil with the first human weight upon them
for who knows who long – some of the rungs
are missing – how tiny a man is made
against that wheel of fanned steel,
the gargantuan stock water tanks it powers,

the wire fence around the cattle yards,
the endless A6, where the horizon freezes
each set of headlights for half an hour,
and the final fuchsia vestiges
of sun in the low-lying screen
of stratus to the south,
and the hurtful beauty of the haloes
on the inside of eyelids –
the fact of these motionless overtones
being shown up for myth by every blade
of grass and cane, sleeping bird’s neck –

when Phil reaches the top of the windmill
my bowels have loosened,
my eyes have forfeited their focus,
my forehead is leaking
but even if it destroys me, I will disclaim

every bodily exhortation
to stay on the Landcruiser roof
until the word night can be written in good faith.